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Urs Graf Consort, a collective with a corrupted genealogy, produces simulacra, songs nested within themselves, with the experimental accents of Ursonate. Prune Bécheau and Adrien Bardi-Bienenstock are composers and performers for ensembles that are as varied as the motley company brought together in etchings by the Swiss engraver Urs Graf. The song, an object, is essayist, narrative, dramatic, and serves like a space to wander, a waterway whose banks meet only at its source and nevertheless form a whole, subtly fragmented, off-the-cuff punctuations that have…
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