Gesellschaft Zur Emanzipation Des Samples has been played on NTS over 10 times, featured on 14 episodes and was first played on 10 June 2015.

Gesellschaft Zur Emanzipation Des Samples is a 2009 project by Jan Jelinek. The name translates as "Society for The Emancipation of Samples".

"… G.E.S. is no official entity, but rather a rough idea, an association without membership or manifestation committed to one primary and pragmatic notion: financial backing and legal support in case of active breaches of copyright – the process of sampling.

On 'Circulations': The idea for this audio collage emerged from random recordings of pop songs played through the PA of a fairground carousel. Picture the scene: Bumper cars racing to Bruce Springsteen's 'Born In The USA', a carousel turning to Marvin Gaye's 'Sexual Healing', but also projector sounds in the cinema or the sine generators of a sound installation: all of these are recordings of public space. And yet, they contain not only the ambient sounds of their specific point of origin, but also a discrete and distinct recognisable moment. We will always be able to decipher and disassociate 'Sexual Healing' from the random noise of public space, irrespective of location. To what extent does the recording process affect potential copyright claims? Are Marvin Gaye's publishers entitled to royalties because the recording of a merry-go-round conveys traces of "Sexual Healing"?

'Circulations' aims to restage this particular recording premise. Playback devices are placed in public space and broadcast the desired sampling material. The recordings bear witness to music in public space. Even where authorship is still recognisable, the resulting field recordings relegate music to a casual, circulating background element – just one event among many, equal to the ambient acoustics, casual conversations and traffic noise. Do the rules of copyright still apply?

'Circulations' choreographs a recording situation and, at the same time, the utopia of a space unfettered by copyright. A potential solution to the criminalisation of sampling: take your sources and sample them in public space."