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Tommy Four Seven

On 26 October 2022, Tommy Four Seven was a guest on Night Shift w/ Diamondstein; and on 15 November 2019 was a guest on Wigs w/ Imogen. Tommy Four Seven has been played on NTS over 20 times, featured on 19 episodes and was first played on 24 July 2013.

Dark, raw and sweaty environments are where you’re most likely to find Tommy Four seven, filling the void between house and techno since 2005. Tommy’s been steadily building his catalogue of strong, moody and hypnotic dancefloor destroyers such as early hits on Parisian label, Kill Brique and recent recordings for Wolfskuil Records, Speedy J’s Electric Deluxe and Chris Liebing’s CLR, as well as remixes for the likes of Josh Wink and Darko Esser.

Tommy’s approach to music is unlike a musician. Instead, Tommy prefers to sound design, recording and sculpting elements into deep engaging atmospheres. It’s this production ethos Tommy also applies in the club, morphing from tech-house, to the darker realms of techno. “I always keep the foundations deep and hypnotic, a vibe I feel that creates more of a connection.”

Giving his own contribution to techno, in 2008 Tommy launched deep techno label, Shooting Elvis. Gathering artists from Mark Broom to Remute, to Sebastian Roya to James Kronier, choosing to release quality rather than quantity, an attitude that has not gone unnoticed with supporters such as Ben Klock, Len Faki, Joel Mull and Paco Osuna.

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Tommy Four Seven

On 26 October 2022, Tommy Four Seven was a guest on Night Shift w/ Diamondstein; and on 15 November 2019 was a guest on Wigs w/ Imogen. Tommy Four Seven has been played on NTS over 20 times, featured on 19 episodes and was first played on 24 July 2013.

Dark, raw and sweaty environments are where you’re most likely to find Tommy Four seven, filling the void between house and techno since 2005. Tommy’s been steadily building his catalogue of strong, moody and hypnotic dancefloor destroyers such as early hits on Parisian label, Kill Brique and recent recordings for Wolfskuil Records, Speedy J’s Electric Deluxe and Chris Liebing’s CLR, as well as remixes for the likes of Josh Wink and Darko Esser.

Tommy’s approach to music is unlike a musician. Instead, Tommy prefers to sound design, recording and sculpting elements into deep engaging atmospheres. It’s this production ethos Tommy also applies in the club, morphing from tech-house, to the darker realms of techno. “I always keep the foundations deep and hypnotic, a vibe I feel that creates more of a connection.”

Giving his own contribution to techno, in 2008 Tommy launched deep techno label, Shooting Elvis. Gathering artists from Mark Broom to Remute, to Sebastian Roya to James Kronier, choosing to release quality rather than quantity, an attitude that has not gone unnoticed with supporters such as Ben Klock, Len Faki, Joel Mull and Paco Osuna.

Recent episodes

Most played tracks

Arx
Tommy Four Seven
Stroboscopic Artefacts•2012
Armed 3
Tommy Four Seven
CLR•2011
Radius (Machine Woman Remix)
Tommy Four Seven (Machine Woman mix)
47•2019
Monix
Tommy Four Seven
Stroboscopic Artefacts•2012
Disturbance (Tommy Four Seven Remix)
Drumcell (Tommy Four Seven mix)
CLR•2013
Start Chopping (Tommy Four Seven Remix)
Perc (Tommy Four Seven mix)
Perc Trax•2011
Tof (Tommy Four Seven Remix)
Lucy (Tommy Four Seven mix)
Stroboscopic Artefacts•2011
Fffff
Tommy Four Seven
Stroboscopic Artefacts•2014
UUU
Tommy Four Seven
47•2016
Feed
Tommy Four Seven
47•2019