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With her sophomore album, Commotus, colombian pop luminary Lucrecia Dalt crafts a surrealist landscape borne by the inexorable scope and sand-swept surfaces of geologic time. She leaps into a surrealist landscape with stunning abandon, eschewing the comparatively safe tropes and song structures of her previous work. And she charts a surprisingly inventive and rewarding territory in the process. Much as it is with her newfound contemporaries at HEM Berlin, for Dalt, solitude and…
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