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It 's your pleasure for Human Shield to bring us its own Tommy Walker 3. Tommy has been producing machine driven sex patterns for over 1/8th of a century now, And has sometimes been seen as a kind of standard bearer for the whole Beer-Cheese-Street-Dance movement thats so powerful and prevailing on Manchester and North-East Wales right now. Probably there at the beginning, possibly even suggesting it, was Tommy, all the while working away on a modest digital tango that would someday change the face of serious electronic dance anthems. Brought up at the coalface of basic electronics, Tommy Started young, applying his Commodore Amiga to questions of dance between lessons and at lunch times, often with stunning effect. Whilst Critically acclaimed, his early work was controversial. Dealing with issues such as passion, dance and electronics in such a head on fashion, Tommy was bound to come to up against opposition , but as society started breaking down around the turn of the century, remarkably, quietly, a few things did start to surface, most notably his contributions to Twisted Nerves Jukebox 45's and Mulitplex's Mixt remix album. Representing a sort of digital sound-bridge between ages, these opposing works create a neg vibe, cancelling each other out. Typically, he can be found carefully offsetting the sort of dangerous bocks that are coming off tracks like 'Softpower' with the threat of a semi-transparent cloud-out like that of the flying mammal themed concept EP 'Batrider' soon to be outed by the universally appreciated Rotton Row. His semi-anthemic art-dance masterpiece Ream was possibly over-given for the benefit of Fat Northerners' Digital Northerner download only compilation, but soon to be released releases on Human Shield and others will be sure to guarantee Tommy a place in Dance History. Also re writing the record books, are the stats coming out Tommy's recent shows throughout London, Manchester and York, the reception has been utterly brilliant. The live show really shows what you can do with such an awkward frame, a hair piece, some fake moustaches and the occasional use of a borrowed drummer in the form of the Whip's Lil' Fee, who reliably delivers metronomic destruction as one half of Daniel each night sometimes.
It 's your pleasure for Human Shield to bring us its own Tommy Walker 3. Tommy has been producing machine driven sex patterns for over 1/8th of a century now, And has sometimes been seen as a kind of standard bearer for the whole Beer-Cheese-Street-Dance movement thats so powerful and prevailing on Manchester and North-East Wales right now. Probably there at the beginning, possibly even suggesting it, was Tommy, all the while working away on a modest digital tango that would someday change the face of serious electronic dance anthems. Brought up at the coalface of basic electronics, Tommy Started young, applying his Commodore Amiga to questions of dance between lessons and at lunch times, often with stunning effect. Whilst Critically acclaimed, his early work was controversial. Dealing with issues such as passion, dance and electronics in such a head on fashion, Tommy was bound to come to up against opposition , but as society started breaking down around the turn of the century, remarkably, quietly, a few things did start to surface, most notably his contributions to Twisted Nerves Jukebox 45's and Mulitplex's Mixt remix album. Representing a sort of digital sound-bridge between ages, these opposing works create a neg vibe, cancelling each other out. Typically, he can be found carefully offsetting the sort of dangerous bocks that are coming off tracks like 'Softpower' with the threat of a semi-transparent cloud-out like that of the flying mammal themed concept EP 'Batrider' soon to be outed by the universally appreciated Rotton Row. His semi-anthemic art-dance masterpiece Ream was possibly over-given for the benefit of Fat Northerners' Digital Northerner download only compilation, but soon to be released releases on Human Shield and others will be sure to guarantee Tommy a place in Dance History. Also re writing the record books, are the stats coming out Tommy's recent shows throughout London, Manchester and York, the reception has been utterly brilliant. The live show really shows what you can do with such an awkward frame, a hair piece, some fake moustaches and the occasional use of a borrowed drummer in the form of the Whip's Lil' Fee, who reliably delivers metronomic destruction as one half of Daniel each night sometimes.
Thanks!
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Thanks!
Your suggestion has been successfully submitted.