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An hour of traditonal plucked zither music, featuring sounds from Korea, Cambodia, Kazakhstan, China and beyond. Selected by Phambinho

Jako Maron

Jako Maron

Jako Maron has been played on NTS over 10 times, featured on 18 episodes and was first played on 13 June 2018.

Jako Maron was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 1990s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. His album "Les Experiences Electro Maloya de Jako Maron" compiles his electro-Maloya experiments for the first time.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the 1950s, Maloya tracks were appearing on 78rpm releases and, in the 1960s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

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Jako Maron

Jako Maron has been played on NTS over 10 times, featured on 18 episodes and was first played on 13 June 2018.

Jako Maron was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 1990s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. His album "Les Experiences Electro Maloya de Jako Maron" compiles his electro-Maloya experiments for the first time.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the 1950s, Maloya tracks were appearing on 78rpm releases and, in the 1960s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Original source Last.fm

Tracks featured on

Most played tracks

Maloya Valsé chok 1
Jako Maron
Nyege Nyege Tapes2018
Papiyon zerb zon
Jako Maron
Nyege Nyege Tapes2018
Mde Prototrash Bobr
Jako Maron
Nyege Nyege Tapes2021
Two Ducks
Jako Maron
Bi-Pole2009
Maloya Valsé Chok 1
Jako Maron
Nyege Nyege Tapes2023
Katangaz
Jako Maron
Nyege Nyege Tapes2018
Maloya B5160-8
Jako Maron
Nyege Nyege Tapes2018
Pendulé
Jako Maron
Syrphe2020
Lucioles
Jako Maron
Nyege Nyege Tapes2023