Sign up or log in to MY NTS and get personalised recommendations
Unlock Live Tracklists
Support NTS for timestamps across live channels and the archive
Live on 1
No tracks found...
Keith Rowe
Keith Rowe
Keith Rowe has been played on NTS in shows including Adultz Only, featured first on 20 April 2018. Songs played include Groovy Situation, Groovy Situations and Love On A Shelf.
Keith Rowe (born 16 March 1940 in Plymouth, England) is an English free improvisation tabletop guitarist and painter. Rowe is a founding member of both AMM in the mid-1960s and M.I.M.E.O. Having trained as a visual artist, his paintings have appeared on most of his albums. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recordings having been released by Erstwhile.
Rowe began his career playing jazz in the early 1960s with Mike Westbrook and Lou Gare. His early influences were guitarists Wes Montgomery, Charlie Christian, and Barney Kessel.[1] But he grew tired of what he considered the genre's limitations. He began experimenting. An important step was a New Year's resolution to stop tuning his guitar—much to Westbrook's displeasure.[1] He began playing free jazz and free improvisation, abandoning conventional guitar technique.
read more
Keith Rowe
Keith Rowe has been played on NTS in shows including Adultz Only, featured first on 20 April 2018. Songs played include Groovy Situation, Groovy Situations and Love On A Shelf.
Keith Rowe (born 16 March 1940 in Plymouth, England) is an English free improvisation tabletop guitarist and painter. Rowe is a founding member of both AMM in the mid-1960s and M.I.M.E.O. Having trained as a visual artist, his paintings have appeared on most of his albums. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recordings having been released by Erstwhile.
Rowe began his career playing jazz in the early 1960s with Mike Westbrook and Lou Gare. His early influences were guitarists Wes Montgomery, Charlie Christian, and Barney Kessel.[1] But he grew tired of what he considered the genre's limitations. He began experimenting. An important step was a New Year's resolution to stop tuning his guitar—much to Westbrook's displeasure.[1] He began playing free jazz and free improvisation, abandoning conventional guitar technique.