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In 1999 Calgary’s dance music scene was experiencing an unprecedented growth surge. Titanic raves that filled hockey arenas suddenly emerged and came to dominate the nightlife. The fare mainly consisted of hard, fast beats imported from the UK. Hardcore, hard House and trance dominated the nights.
While the edifice of stadium raves towered over the city’s late 90’s musical landscape, a figure that would become a luminary of Calgary electronic music was slowly establishing herself in its shadows.
Two years before this surge…
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