Tracks featured on
Most played tracks
Rise
NON
Mute•1989
Embers
NON
Not On Label (NON)•0
A Taste Of Blood
NON
Mute•1987
Live In London 1984
NON, Boyd Rice
Extreme•0
Out Out Out
NON
Mute•1997
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NON
NON
NON has been played on NTS shows including BFDM, with Live In London 1984 first played on 11 July 2016.
Under the name NON, originally with second member Robert Turman, Boyd Rice has recorded several seminal noise music albums, and collaborated with experimental music/dark folk artists like Current 93, Death In June, Rose McDowall and with coil as sickness of snakes.
Most of his music has been released on the Mute Records label. Rice has also collaborated with Foetus, Z'EV, Frank Tovey, Tony Wakeford of Sol Invictus, Douglas P. of Death in June and Michael Moynihan of Blood Axis.
His later albums have often been explicitly conceptual. On Might! (1995), Rice layers portions of "Ragnar Redbeard"'s Social Darwinist harangue, Might is Right over sound beds of looped noise and manipulated frequencies.
1997's God and Beast explores the intersection in the soul of man's physical and spiritual natures over the course of an album that alternates abrasive soundscapes with passages of tranquility.
In 2006 Rice returned to the studio to record raw vocal sound sources for a collaboration with Industrial percussionist/ethnomusicologist Z'ev.
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NON
NON has been played on NTS shows including BFDM, with Live In London 1984 first played on 11 July 2016.
Under the name NON, originally with second member Robert Turman, Boyd Rice has recorded several seminal noise music albums, and collaborated with experimental music/dark folk artists like Current 93, Death In June, Rose McDowall and with coil as sickness of snakes.
Most of his music has been released on the Mute Records label. Rice has also collaborated with Foetus, Z'EV, Frank Tovey, Tony Wakeford of Sol Invictus, Douglas P. of Death in June and Michael Moynihan of Blood Axis.
His later albums have often been explicitly conceptual. On Might! (1995), Rice layers portions of "Ragnar Redbeard"'s Social Darwinist harangue, Might is Right over sound beds of looped noise and manipulated frequencies.
1997's God and Beast explores the intersection in the soul of man's physical and spiritual natures over the course of an album that alternates abrasive soundscapes with passages of tranquility.
In 2006 Rice returned to the studio to record raw vocal sound sources for a collaboration with Industrial percussionist/ethnomusicologist Z'ev.
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Your suggestion has been successfully submitted.
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