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Christopher Just and Peter Votava, known together as Ilsa Gold, were an Austrian electronic music duo active in the early 1990s. They were known for their unconventional approach to techno and hardcore music, often incorporating humor and self-parody into their work.
Ilsa Gold emerged in 1993 during the rise of the Austrian techno scene. Just, an artist and record dealer, met Votava, a party organizer, and they began producing music together. Their first releases, "1" and "2," featured tracks such as "Up" and "Silke," which gained popularity and reached the top of the charts in Frontpage Magazine. The duo became known for sampling artists such as Peter Cornelius and Karel Gott, combining these elements with high-energy techno sounds.
In 1993, Ilsa Gold performed at the Mayday rave event in Germany, becoming the first Austrian act to do so. Their performance was unconventional, as they used a DAT recorder and a yogurt machine to play back their tracks, provoking a reaction from the rave community. The duo continued to parody the electronic music scene, responding to the commercialization of rave culture with their third release, "3," which included the track "For Blond Nuns," a reworking of 4 Non Blondes' "What's Up," and "Silke Süchtig," a medley of Peter Cornelius and Karel Gott's music.
Ilsa Gold also made public statements critiquing the rave scene. At a subsequent Mayday performance, they made comments about drug use in the rave community. They later engaged in media provocations, including a staged tabloid story and the founding of a side project, Sons of Ilsa, which satirized electronic music trends.
In 1996, Just and Votava ended their collaboration and pursued separate musical careers. Just continued producing electronic dance music under various aliases, including Punk Anderson, while Votava, under the name DJ Pure, focused on experimental electronic music, working with labels such as Mego.
Christopher Just and Peter Votava, known together as Ilsa Gold, were an Austrian electronic music duo active in the early 1990s. They were known for their unconventional approach to techno and hardcore music, often incorporating humor and self-parody into their work.
Ilsa Gold emerged in 1993 during the rise of the Austrian techno scene. Just, an artist and record dealer, met Votava, a party organizer, and they began producing music together. Their first releases, "1" and "2," featured tracks such as "Up" and "Silke," which gained popularity and reached the top of the charts in Frontpage Magazine. The duo became known for sampling artists such as Peter Cornelius and Karel Gott, combining these elements with high-energy techno sounds.
In 1993, Ilsa Gold performed at the Mayday rave event in Germany, becoming the first Austrian act to do so. Their performance was unconventional, as they used a DAT recorder and a yogurt machine to play back their tracks, provoking a reaction from the rave community. The duo continued to parody the electronic music scene, responding to the commercialization of rave culture with their third release, "3," which included the track "For Blond Nuns," a reworking of 4 Non Blondes' "What's Up," and "Silke Süchtig," a medley of Peter Cornelius and Karel Gott's music.
Ilsa Gold also made public statements critiquing the rave scene. At a subsequent Mayday performance, they made comments about drug use in the rave community. They later engaged in media provocations, including a staged tabloid story and the founding of a side project, Sons of Ilsa, which satirized electronic music trends.
In 1996, Just and Votava ended their collaboration and pursued separate musical careers. Just continued producing electronic dance music under various aliases, including Punk Anderson, while Votava, under the name DJ Pure, focused on experimental electronic music, working with labels such as Mego.
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