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Blackest Ever Black doing what they do best – connecting the dots between early industrial, doom, drone and the contemporary dance scene, pounding out the dreary sound of 21st century malaise.
If you ever need some creative inspiration, take a look at some videos of Timbaland in the studio in his prime, around the early to mid-2000s. You'll see Timbo smiling knowingly as he plays new material to some of the biggest rap & R&B stars of all time, all of whom appear to display a similar range of emotions – confusion, astonishment, befuddled laughter. This is testament to the Virginia producer's utterly genre shifting approach to the rhythm and texture of beat-making. No one sounded like him before, and the many who have imitated rarely reach his level. This In Focus is selected by Antonine Scali.
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The 39 Clocks were an underground band from Hannover. Together with Nova Express, The Beauty Contest, Shiny Gnomes, Multicoloured Shades, Kastrierten Philosophen (Castrated Philosophers) and Yellow Sunshine Underground they contributed to the German underground neo-psychedelic scene of the 1980s.
In 1976, Jürgen „J.G.39“ Gleue (guitar, bass, vocals) and Christian „C.H.39“ Henjes (guitar, orgal, vocals), both from Hannover, played together under the name Killing Rats, and later Automats (trans: "Machines"). The nucleus of the band was soon expanded with the addition of drummer Claudius Hempelmann (he later joined labelmates and new wave proponents Der Moderne Mann) and Rüdiger Klose, also known for his work with Die Kastrierten Philosophen. In the studio they were joined by, amongst others, Süsskind from Kosmonautentraum (Spaceman Dream) on the melodica, and Emilio Winschetti, singer with labelmates Mythen In Tüten, later in Mint and The Perc Meets The Hidden Gentleman, on synthesizer. In 1980, a 7" of 'DNS' was released through the independent record label, No Fun Records, as was their 1981 LP, 'Pain It Dark'. For their second record, Gleue and Henjes founded their own record label, Psychotic Promotion, through which Die Kastrierten Philosophen also released their first record. In 1983, the duo split and Henjes founded The Beauty Contest, who released records through the Hamburg label, What's So Funny.
Visually, the band were reminiscent of the Velvet Underground, and musically, they were influenced by the American garage rock of the 1960s with a psychedelic direction and its comparable simplistic production techniques, along with a bastardised use of the English language, somewhat similar to what we know today as "Denglisch" (the German equivalent of Franglais). They were always dressed in black, wearing sunglasses, and coined phrases such as "black and white TVs show better films than colour sets." Rather than melodic psychedelic rock, they called their music "psycho-beat". Many speak retrospectively of thegroup as "the German Velvet Underground" - a comparison that the duo always rejected. The Clocks never had an entry into the Hannover rock hall of fame, however they've not quite been forgotten. For example, in 1998 one of the Clocks' songs found its way onto the soundtrack of the film, "23 - Nichts ist so wie es scheint" ("23 - nothing is quite as it seems"). In addition, many remember them as the forerunners of the German psychedelic renaissance in the attempt to stylise Hannover to the coming pop and rock domination, through which the Clocks were lumped in with mainstream bands such as Scooter and Mousse T, a particularly strange mixture. (This bit makes little sense in English or German).
Diskographie (excerpt) Pain it dark (1981), NO Fun record, LP Subnarcotic (1982), Psychotic graduation-re+publishes 1988 on What's so funny about, LP Blades in your Masquerade Best OF (1983), Flicknife Sharp, LP Cold Steel ton the Heart demo & Outtakes (1985), What's funny about in such a way, LP 13 more protest Songs (1987), What's funny, LP about in such a way The original Psycho Beat Best OF (1993), What's funny about in such a way, CD
Diskographie Christian Henjes (excerpt) THE BEAUTY CONTEST Feel putrefies (1984), to What's in such a way Funny About, LP THE BEAUTY CONTEST No. 6 1985, What's so Funny About, Maxi THE BEAUTY CONTEST town center Lights 1984, What's so Funny About, Maxi
Diskographie Jürgen Gleue (excerpt) EXIT OUT Peruse Prankster (1985), What's so Funny About, LP THE COCOON While The Recording Engineer Sleeps (1987), William realm acoustic memory, LP THE COCOON Stretching Things (1992), What's so Funny About, LP/CD THE phantom PAYN of volume. 1 Dig The Squares - They're Ugly (1991), GB 45, LP+EP THE phantom PAYN ACT Trouble with Ghosts " (1992), Glitterhouse record, CD THE phantom PAYN ACT Trouble with Ghosts (revised version) (1993), Hidden record, LP THE PHANTON PAYN ACT bath Vibes Anyone?? (1994), Hidden record, LP/CD A phantom PAYN SEANCE Telegraphic Grooves From A DEAD mailbox (1995), Hidden record, LP THE phantom PAYNS More phantom Than Ever (1997), toasters in test, LP J.G.39 Afternoon Non happening (2000), NO label record, CD
The 39 Clocks were an underground band from Hannover. Together with Nova Express, The Beauty Contest, Shiny Gnomes, Multicoloured Shades, Kastrierten Philosophen (Castrated Philosophers) and Yellow Sunshine Underground they contributed to the German underground neo-psychedelic scene of the 1980s.
In 1976, Jürgen „J.G.39“ Gleue (guitar, bass, vocals) and Christian „C.H.39“ Henjes (guitar, orgal, vocals), both from Hannover, played together under the name Killing Rats, and later Automats (trans: "Machines"). The nucleus of the band was soon expanded with the addition of drummer Claudius Hempelmann (he later joined labelmates and new wave proponents Der Moderne Mann) and Rüdiger Klose, also known for his work with Die Kastrierten Philosophen. In the studio they were joined by, amongst others, Süsskind from Kosmonautentraum (Spaceman Dream) on the melodica, and Emilio Winschetti, singer with labelmates Mythen In Tüten, later in Mint and The Perc Meets The Hidden Gentleman, on synthesizer. In 1980, a 7" of 'DNS' was released through the independent record label, No Fun Records, as was their 1981 LP, 'Pain It Dark'. For their second record, Gleue and Henjes founded their own record label, Psychotic Promotion, through which Die Kastrierten Philosophen also released their first record. In 1983, the duo split and Henjes founded The Beauty Contest, who released records through the Hamburg label, What's So Funny.
Visually, the band were reminiscent of the Velvet Underground, and musically, they were influenced by the American garage rock of the 1960s with a psychedelic direction and its comparable simplistic production techniques, along with a bastardised use of the English language, somewhat similar to what we know today as "Denglisch" (the German equivalent of Franglais). They were always dressed in black, wearing sunglasses, and coined phrases such as "black and white TVs show better films than colour sets." Rather than melodic psychedelic rock, they called their music "psycho-beat". Many speak retrospectively of thegroup as "the German Velvet Underground" - a comparison that the duo always rejected. The Clocks never had an entry into the Hannover rock hall of fame, however they've not quite been forgotten. For example, in 1998 one of the Clocks' songs found its way onto the soundtrack of the film, "23 - Nichts ist so wie es scheint" ("23 - nothing is quite as it seems"). In addition, many remember them as the forerunners of the German psychedelic renaissance in the attempt to stylise Hannover to the coming pop and rock domination, through which the Clocks were lumped in with mainstream bands such as Scooter and Mousse T, a particularly strange mixture. (This bit makes little sense in English or German).
Diskographie (excerpt) Pain it dark (1981), NO Fun record, LP Subnarcotic (1982), Psychotic graduation-re+publishes 1988 on What's so funny about, LP Blades in your Masquerade Best OF (1983), Flicknife Sharp, LP Cold Steel ton the Heart demo & Outtakes (1985), What's funny about in such a way, LP 13 more protest Songs (1987), What's funny, LP about in such a way The original Psycho Beat Best OF (1993), What's funny about in such a way, CD
Diskographie Christian Henjes (excerpt) THE BEAUTY CONTEST Feel putrefies (1984), to What's in such a way Funny About, LP THE BEAUTY CONTEST No. 6 1985, What's so Funny About, Maxi THE BEAUTY CONTEST town center Lights 1984, What's so Funny About, Maxi
Diskographie Jürgen Gleue (excerpt) EXIT OUT Peruse Prankster (1985), What's so Funny About, LP THE COCOON While The Recording Engineer Sleeps (1987), William realm acoustic memory, LP THE COCOON Stretching Things (1992), What's so Funny About, LP/CD THE phantom PAYN of volume. 1 Dig The Squares - They're Ugly (1991), GB 45, LP+EP THE phantom PAYN ACT Trouble with Ghosts " (1992), Glitterhouse record, CD THE phantom PAYN ACT Trouble with Ghosts (revised version) (1993), Hidden record, LP THE PHANTON PAYN ACT bath Vibes Anyone?? (1994), Hidden record, LP/CD A phantom PAYN SEANCE Telegraphic Grooves From A DEAD mailbox (1995), Hidden record, LP THE phantom PAYNS More phantom Than Ever (1997), toasters in test, LP J.G.39 Afternoon Non happening (2000), NO label record, CD
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