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A side project of Australia's Philip Brophy, better known for his long running unit → ↑ → (pronounced tsk tsk tsk), this flabbergasting marvel does it's damnedest to wriggle free of tidy explanations. What's being proposed here is a species of mutated and horn-riddled avant electro-funk, but one that's being perverted in the most subtle and slippery ways imaginable, with the sonics here situated (to my ears at least) somewhere between B.E.F., Hajime Tachibana and Ralph Carney's work on Bowling Balls From Hell….
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