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James Tenney

James Tenney

James Tenney has been played over 20 times on NTS, first on 23 October 2014. James Tenney's music has been featured on 21 episodes.

James Tenney (August 10, 1934 - August 24, 2006) was an American composer and influential music theorist.

Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, Lejaren Hiller, John Cage, Harry Partch, and Edgard Varèse. He also studied information theory under Lejaren Hiller, and composed stochastic early computer music before turning almost completely to writing for instruments with the occasional tape delay, often using just intonation and alternative tunings. Tenney's notable students include John Luther Adams, Larry Polansky, and Peter Garland. He performed with John Cage, as well as with the ensembles of Harry Partch, Steve Reich, and Philip Glass.

Tenney's work deals simply and artfully with perception (For Ann (rising), see Shepard tone), just intonation (Clang, see gestalt), stochastic elements (Music for Player Piano), information theory (Ergodos, see Ergodic theory), and with what he calls 'swell' (Koan: Having Never Written A Note For Percussion for John Bergamo), which is basically arch form. His pieces are most often tributes and subtitled as such. As his friend Philip Corner says, For Ann (rising), "must be optimistic! (Imagine the depressing effectiveness of it — he could never be so cruel — downward)…"

Tenney wrote the in-depth liner notes to Wergo's edition of Conlon Nancarrow's Studies for Player Piano (Nancarrow, as a favor, punched the roll for Tenney's Spectral Canon for Conlon Nancarrow), the seminal Meta (+) Hodos (one of, if not the, earliest applications of gestalt theory and cognitive science to music), the later Hierarchical temporal gestalt perception in music : a metric space model with Larry Polansky, and other works. An entire issue of the academic journal Perspectives of New Music was devoted to Tenney's music.

He taught at the Polytechnic Institute of Brooklyn, the California Institute of the Arts, the University of California, and York University in Toronto.

He died on 24 August 2006 of lung cancer in Valencia, California.

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James Tenney

James Tenney has been played over 20 times on NTS, first on 23 October 2014. James Tenney's music has been featured on 21 episodes.

James Tenney (August 10, 1934 - August 24, 2006) was an American composer and influential music theorist.

Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, Lejaren Hiller, John Cage, Harry Partch, and Edgard Varèse. He also studied information theory under Lejaren Hiller, and composed stochastic early computer music before turning almost completely to writing for instruments with the occasional tape delay, often using just intonation and alternative tunings. Tenney's notable students include John Luther Adams, Larry Polansky, and Peter Garland. He performed with John Cage, as well as with the ensembles of Harry Partch, Steve Reich, and Philip Glass.

Tenney's work deals simply and artfully with perception (For Ann (rising), see Shepard tone), just intonation (Clang, see gestalt), stochastic elements (Music for Player Piano), information theory (Ergodos, see Ergodic theory), and with what he calls 'swell' (Koan: Having Never Written A Note For Percussion for John Bergamo), which is basically arch form. His pieces are most often tributes and subtitled as such. As his friend Philip Corner says, For Ann (rising), "must be optimistic! (Imagine the depressing effectiveness of it — he could never be so cruel — downward)…"

Tenney wrote the in-depth liner notes to Wergo's edition of Conlon Nancarrow's Studies for Player Piano (Nancarrow, as a favor, punched the roll for Tenney's Spectral Canon for Conlon Nancarrow), the seminal Meta (+) Hodos (one of, if not the, earliest applications of gestalt theory and cognitive science to music), the later Hierarchical temporal gestalt perception in music : a metric space model with Larry Polansky, and other works. An entire issue of the academic journal Perspectives of New Music was devoted to Tenney's music.

He taught at the Polytechnic Institute of Brooklyn, the California Institute of the Arts, the University of California, and York University in Toronto.

He died on 24 August 2006 of lung cancer in Valencia, California.

Original source Last.fm

Tracks featured on

Most played tracks

Fabric For Ché
James Tenney
Frog Peak Music, Artifact Recordings1992
Collage #1 ("Blue Suede")
James Tenney
Frog Peak Music, Artifact Recordings1992
Koan: Having Never Written A Note For Percussion
Zeitkratzer, James Tenney
Zeitkratzer Records2010
Analog #1 (Noise Study)
James Tenney
Frog Peak Music, Artifact Recordings1992
Saxony
James Tenney
Composers Recordings Inc. (CRI)1985
Spectral CANON For CONLON Nancarrow
James Tenney
Musicworks1984
Hocket For Henry Cowell
James Tenney, Maelström Percussion Ensemble, Jan Williams
hat[now]ART2004
Analog #1 (Noise Study)
James Tenney
New World Records2003
Exit (Excerpt)
George Brecht, James Tenney, George Maciunas
Electronique.it Podcast Series2012
Critical Band
Zeitkratzer, James Tenney
Zeitkratzer Records2010