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Lily Greenham was a performer and early pioneer of "concrete poetry". She used her voice in ways that genuinely hadn't been explored before, cutting, splicing, pitching and effecting it, making tones and chopping out syllables until words were barely even audible as words anymore, and occasionally punctuated these sounds with electronics or concrete recordings to create experimental compositions like nothing else at the time. The best point of reference at the moment would be Maja Ratkje who has a similar desire…
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