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They should return to the place from whence they came, from thence be drawn to the common place of execution upon hurdles, and there to be hanged by the necks, then cut down alive, their privy-Members cut off, and bowels taken out to be burned before their faces, their Heads to be severed from their bodies, and their bodies divided into four parts, to be disposed of as the King should think fit.
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NYC-based duo LEYA features violinist Adam Markiewicz (The Dreebs) and harpist Marilu Donovan. The two combine modernity and antiquity with their chosen instruments by taking ideas from contemporary pop and experimental music, and seamlessly integrating them into classical instrumentation and moods. Utilizing a combination of normal and detuned intervals together with ethereal layered vocals, the resulting sound of LEYA is unmistakable and haunting. It is both ancient and singular in tone, but remains open to the influences and ideas of the modern day underground in it’s structural simplicity. I Forget Everything marks LEYA’s first return to the studio since 2022’s collaborative mixtape Eyeline, and their first release sans collaborators since 2020’s breakout classical-meets-everything tome Flood Dream. It comes on the heels of a relentless multi-year touring schedule, sandwiched amidst new collaborations with fashion houses, filmmakers, choreographers, and more, a blooming of their beguiling, potentially existent-in-any-context din into newer identities and spaces
NYC-based duo LEYA features violinist Adam Markiewicz (The Dreebs) and harpist Marilu Donovan. The two combine modernity and antiquity with their chosen instruments by taking ideas from contemporary pop and experimental music, and seamlessly integrating them into classical instrumentation and moods. Utilizing a combination of normal and detuned intervals together with ethereal layered vocals, the resulting sound of LEYA is unmistakable and haunting. It is both ancient and singular in tone, but remains open to the influences and ideas of the modern day underground in it’s structural simplicity. I Forget Everything marks LEYA’s first return to the studio since 2022’s collaborative mixtape Eyeline, and their first release sans collaborators since 2020’s breakout classical-meets-everything tome Flood Dream. It comes on the heels of a relentless multi-year touring schedule, sandwiched amidst new collaborations with fashion houses, filmmakers, choreographers, and more, a blooming of their beguiling, potentially existent-in-any-context din into newer identities and spaces
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