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Since starting in a basement apartment in Seattle back in 2001, Light In The Attic has established itself as one of the best and brightest reissue labels around. With releases ranging from D’Angelo to Serge Gainsbourg, Lewis to Betty Davis, Sly Stone to Karen Dalton, LITA prides itself on the breadth of its output. Artwork by: by Hiroshi Nagai
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Francesca Burattelli is an Italian-Danish artist and musician, based in Copenhagen. She graduated from the Gerrit Rietveld Art Academy in Amsterdam in 2015 and is currently active in the Danish art and underground music scene.
Burattelli investigate the divide between art and music. With a background in music, she began to implement sound production in her art in the form of sculptural musical instruments and sound installations. She now works with a focus on the voice’s performativity and vocalism and investigates, among other things, the idea of the performer and the pop idol as a modern archetype. About that she has written the publication Una Voce Poco Fa.
Francesca Burattelli also works with the performance and study group Union For Open Vocalism with artist Holger Hartvig. Together, they examine the singing voice as a social phenomenon and its ability to create political and cultural awareness in the contemporary world. They work with the idea of separating the voice from the ego and isolating it from its physical and therefore political body (and gender), for example in the performance Platform Play, which comments on the idea of communal singing as a political act
Francesca Burattelli is an Italian-Danish artist and musician, based in Copenhagen. She graduated from the Gerrit Rietveld Art Academy in Amsterdam in 2015 and is currently active in the Danish art and underground music scene.
Burattelli investigate the divide between art and music. With a background in music, she began to implement sound production in her art in the form of sculptural musical instruments and sound installations. She now works with a focus on the voice’s performativity and vocalism and investigates, among other things, the idea of the performer and the pop idol as a modern archetype. About that she has written the publication Una Voce Poco Fa.
Francesca Burattelli also works with the performance and study group Union For Open Vocalism with artist Holger Hartvig. Together, they examine the singing voice as a social phenomenon and its ability to create political and cultural awareness in the contemporary world. They work with the idea of separating the voice from the ego and isolating it from its physical and therefore political body (and gender), for example in the performance Platform Play, which comments on the idea of communal singing as a political act
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